Проблемы литератур Дальнего Востока. Часть 1

Секция 1 • Panel 1 Проблемы литератур Дальнего Востока. Т. 1. 2018 12 ൘Ā᱕䱲㔯āᡆĀ੩᳇⎚ā㛼Ჟѻл⍫䏳⵰୶㡩Ⲵ䓛ᖡDŽ୶䍮нӵ䗾仾⹤ ⎚ˈн᜗㢠䳮ˈ㘼фᴹнቁ୶䍮㚚仆᰾Ცˈ䇪ᯝ᭿ ߣ ˈྲᗭ୶䱸ᘇ䤀Āԕ㹼 䍮ᖰᶕ⊏кˈᡆት੤ˈᡆት ޝ ਸǃ⊏⎖DŽᡰት䍗ቍབྷ࡙⸓ˈ㘼䖴㠽৫ѻˈᰒ ৫㘼ᆸަ䍗㘵᷌ཡ࡙ˈަ᰾Ც㔍Ӫྲ↔ā 1 DŽ Ẁ෾⍮ᨀّѹ⨶ǃ㘳ᦞǃ᮷ㄐˈ␡ਇᖃᰦⲴ㔏⋫ᙍᜣüü〻ᵡ⨶ᆖ઼ѫ ⍱᮷ॆüüҮహ㘳ᦞᆖⲴᖡ૽ˈնᱟˈнਟᘭ㿶ⲴᱟẀ෾⍮䘈о᰾␵୶䍮ᇶ ࠷⴨ ޣ ˈྲᗭᐎ↉৯୶Ӫ੤䭑㣣ˈԆĀ㲭ᴽ䍮Ҿഋᯩˈ咮࣑㓧㓝ˈ㘼ᰖᲊ〽 ⶡˈণ䈫Җᑨн৫᡻ˈቔ⡡ᵡᆀlj㓢ⴞNJѻҖˈᣛ䰵㠣޽йā 2 DŽ⭡Ҿԕ୶ 䍮᧘ጷ〻ᵡ⨶ᆖ֌Ѫࣘഐѻаˈည啀ᶱ࣋ѫᕐѹ⨶ǃ㘳䇱ǃ᮷ㄐй㘵㔃ਸ˖ 啀ቍ䉃ཙлᆖ䰞ѻһˈᴹѹ⨶ǃ᮷ㄐǃ㘳ᦞй㘵ѻ࠶ˈᔲ䎻㘼਼Ѫ нਟ ᓏDŽа䙄ѻѝˈ↗࠶㘼ѪՇᇦˈ䙲㠣ҾⲮॱᇦDŽ਼аᇦ⸓ˈ㘼Ӫѻ᡽ᙗ ٿ 㜌ˈᡰਆѻᖴฏ৸ᴹ㜭ᴹн㜭✹DŽ ࠑ ᢗަᡰ㜭Ѫˈ㘼ઢަᡰнѪ㘵ˈⲶ䱻 ҏˈᗵެ᭦ѻѳ䏣ѪழDŽ 3 ⭡↔ਟ㿱ည啀ㅹẀ෾⍮ⲴĀѹ⨶ǃ᮷ㄐǃ㘳ᦞāⲴ᮷ᆖѫᕐоᗭ୶ᴹ ޣ DŽ ѹ⨶኎Ҿ݂ᇦՖ⨶ǃ䚃ᗧǃᙗ≄ǃ᭯⋫㤳⮤Ⲵ޵ᇩˈоᗭ୶Āቔ⡡ᵡᆀlj㓢 ⴞNJѻҖā 4 ণ〻ᵡ⨶ᆖᇶ࠷⴨ ޣ ˈҏоẀ෾⍮֌ᇦ㿶䟾ѝⲴ䍮਽݂㹼ǃӱᗳ ⡡Ӫǃ䈊ؑ༴цǃᆍᚼⶖါǃᵤ㤲䈊ᛛǃᓹӻᆸ㢲ㅹⲴᗭ୶㋮⾎ᇶ࠷⴨ ޣ DŽ Cherevko Marina (SPbSU, Russia) Elements of Autobiography in the Afterword of Ouyang Xiu “Notes to the Old Edition of Han [Yu] Writings” Ouyang Xiu in his childhood, 7 years old, discovered an old collection of the Tang poet Han Yu’s writings, and he began to studying his works, “without to sleep and to eat”, but he admitted that in this early stage he didn’t understand much about of what Han has discussed, but convinced that Han’s style was “expansive and boundless”. Han Yu’s works in ancient style had greatly impressed Ouyang. Han Yu and exerted a formative stylistic influence on both 1 ည啀lj䱸䉘ᮻᇦՐNJˈljᜌᣡ䖙᮷䳶NJধॱˈljᜌᣡ䖙䈇᮷䳶NJˈㅜ 亥DŽ 2 ࡈ བྷ⃶lj੤㩬ॳໃᘇ䬝NJˈlj ࡈ བྷ⃶䳶NJধ ޛ ˈㅜ 亥DŽ 3 ည啀lj༽〖ሿ㳜ҖNJˈljᜌᣡ䖙䈇᮷䳶NJধ ޝ ˈㅜ 亥DŽ 4 ࡈ བྷ⃶lj੤㩬ॳໃᘇ䬝NJˈlj ࡈ བྷ⃶䳶NJধ ޛ ˈㅜ 亥DŽ